With the continuous increasing share of small pixel LED display in the market, more and more LED display become popular in TV studios,however, the performance effect of the LED displays in TV set screen is very different in reality.Some has colorful,clear and stable images,while some others have obvious water ripples or flickering. In order to avoid the above mentioned problems, we should pay attention to the following items when we choosing the LED display for a TV studio, and and when we using an LED display in a TV studio.
As we know, the LED displays with different pixel pitch, different filling factor, suitable shooting distance is not the same. Take the 3 mm pixel pitch LED display with filling factor of 60% for example, distance between the background LED display and compere(or other people or stuff) should be 3m or more, then you can get a relatively good background. If the compere is too close to the background LED display, the background LED display will appear grainy,and also water ripples.
Pixel pitch is the distance between every two neighboring pixels in an LED display. The smaller of the pixel pitch, the more pixels on per unit area, the higher resolution you get, the closer shooting distance. Of course, its price is also more expensive. In the United States, currently, the pixel pitch of LED displays used in TV studios is mostly 4-10mm.So we should carefully study the resolution of sources signal and the pixel pitch of back ground LED display. And try our best to make the two as the same, then lead to dot to dot showing.
The evolution of LED display has helped rapidly improving the quality, size, reliability and use of the video walls globally, which are quickly supplanting the LCD format in broadcast studios around the world. The reason is that in almost every measure meaningful to a TV studio or a control room, today’s LED displays outperform LCD models.
We supply screens for use as stage production or as show backdrops which are lightweight, easy to maintain, and easy to install and which show a dynamic range of colors at high brightness. Our backdrop screens can be custom-built or modularly interchangeable and the content and visual application are only limited by the imagination.
We provide a wide range of sizes and pitches for backdrop screens and can develop bespoke screen systems or work with your own design team to show the possibilities available. If you would like
more information then you can get in touch with us using the button below.
LCD video walls have been common for more than a decade, and they have changed much Resolution increased, brightness improved and bezels were minimized, but they’ve reached their limits. LED videowalls, on the other hands stand on the cutting edge of large format display
technology. Where LCD videowalls just look like a bunch of TV’s in a grid.
Broadcast TV studios are special environments that require LED screens to operate at their lowest brightness mode while maintaining the highest image quality. However, reducing displays’ brightness even to 5-10% could lead to various image distortions, such as poor color reproduction, unsmooth gradient, and horizontal stripes across the image. EKTA’s cutting-edge LED video displays operate at brightness as low as 1% while maintaining the same image quality as in full working capacities.
Among top requirements for a TV studio LED screen is a high refresh rate. It could be referred to as a minimum period necessary to renew image for all brightness levels. High refresh rate provides for a flickering-free operation and smooth color gradient to achieve a life-like picture. The higher a refresh rate is, the better image quality is achieved. With a refresh rate up to 7680 Hz EKTA’s state-of-the-art LED video displays are ready for the most demanding TV projects.
TV studios are vibrant environments that are designed according to production needs. The modular design of LED displays gives set designers more flexibility in their designs allowing for building video backdrops of any sizes and forms. EKTA LED displays are assembled from lightweight, slim modules that could be used to create concave and convex video backdrops of non-standard aspect ratios.
TV studios are brightly lit, space-restricted environments crammed with all sorts of video equipment and therefore prone to overheating. That is why low heat output and efficient heat dissipation are much sought-after features of a TV studio LED screen. Thanks to advanced ventilation system EKTA’s state-of-the-art LED screens need no additional cooling and feature fanless design for silent operation.
Live broadcasting is an exciting yet challenging process that could turn into a disaster in case of equipment failure. That is why all the equipment used, including large LED video walls, should be dependable as clockwork. EKTA-manufactured LED displays are robust, failure-proof products that could be relied upon even during the most demanding live projects.
The rapid development of NPP LED video displays has brought fine pitch video walls into broadcasting. With the resolution of 4K and above, these displays show clear, life-like imagery and videos providing a great background for storytelling. Moreover, fine pitch technology allows for a close proximity viewing without display’s pixels being visible. So the cameras and studio guests could be located within a meter beside it. EKTA offers state-of-the-art fine-pitch LED video solutions for the most demanding TV projects.
Pixel pitch | 0.973 | 1.25 | 1.56 |
---|---|---|---|
LED type | SMD0606 | SMD1010 | SMD1010 |
Pixel density(m2) | 1152000 | 648000 | 414720 |
Brightness (cd/m2) | 600-800 | 600-800 | 600-800 |
Module size (mm) | 150×168.75 | 150×168.75 | 150×168.75 |
Module resolution | 160×180 | 120×135 | 96×108 |
Cabinet size (mm) | 600×337.5 | 600×337.5 | 600×337.5×73 |
Cabinet weight (Kg) | 6 | 6 | 8.7 |
View Angle (H/V) | 160°/ 140° | 160°/ 140° | 160°/ 140° |
Refresh rate (Hz) | ≥2880 Hz | ≥2880 Hz | ≥2880 Hz |
Max.Power Consumption(W/sqm) | ≤600 | ≤600 | ≤600 |
Ave.power consumption(W/sqm) | ≤300 | ≤300 | ≤300 |
AC input voltage(V) | 110-220 V/ 50-60 Hz | 110-220 V/ 50-60 Hz | 110-220 V/ 50-60 Hz |
Color Grayscale (Bit) | 14~16 | 14~16 | 14~16 |
IP rating(front/rear) | IP40/IP21 | IP40/IP21 | IP40/IP21 |
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